In the mid-eighties, from my perch as a VP of the Merrill Lynch Media Mergers and Acquisition Group, I watched John Malone, Barry Diller and Sumner Redstone act like three ADHD moguls with too much access to easy money. They acquired and disposed of media companies with a kind of random sensibility and eventually wound up with three conglomerates (Liberty Media, IAC and Viacom) that had no internal rationale. They constantly used the word “synergy” to explain why the companies made sense, but ultimately they could ignore the doubting analysts because they had crafted the capital structure in such a way that they controlled the companies with a second class of voting stock, even though they were minority shareholders.
Now the reality of the market crash has brought them to heel. Redstone is fighting for his very survival.
But now much of his wealth — at least that which is tied to the stock prices of Viacom and CBS — has evaporated, and it is unclear if Mr. Redstone remains a billionaire because it is unclear how much money he has outside of National Amusements, other than personal holdings in Viacom and CBS that together are worth around $10 million.
Half the debt, or $800 million, comes due on Dec. 19. Mr. Redstone recently said publicly that the talks with banks had been going smoothly and that the value of the assets held by National Amusements “well exceeds its debt.”
That he can say this with a straight face is a tribute to the insularity of an old man who fights with his children like King Lear as his empire crumbles. Malone, who more than anyone presided over the explosion of digital cable and satellite programming has also recently faced margin calls. His troubles are just beginning. Ten years ago his Discovery Channel was a brilliant programming ploy to attract advertisers trying to reach upper income, college educated viewers. But not content with a good thing, Discovery expanded from one network to 14 channels including Discovery Health and The Military Channel (I kid you not). Any student in Econ 101 can tell you that dumping 14X the ad inventory on the market while growing your overall market share by 8% is a supply-demand disaster waiting to happen. Now it is happening as the ad market shrinks.
Barry Diller, presiding over a motley group of assets like Match.com and Lending Tree was in 2006 the highest paid executive in America.
In all, Mr. Diller reaped $469.7 million last year from salary, bonus, other perks and the exercise of existing stock options at IAC/Interactive and Expedia…“By any objective measure, Barry Diller is grossly overpaid,” said Jonathan Weil, managing director of Glass Lewis.
Now Diller has divided IAC into five equally pointless firms in the hope of realizing some value. But the notion of putting my money in a low margin travel business like Expedia just doesn’t revive the old “animal spirits”, and Barry will never have the honor of being the highest paid exec again.
The conventional wisdom has always been that the media business is relatively recession proof. This is a highly doubtful bit of speculation based only on the fact that the vertically integrated movie business survived the Great Depression in relatively good shape. But the controlled output in the 1930’s from the major studios with contract actors and directors, to their wholly owned theater chains is a far cry from today’s business with talent, distribution, exhibition and finance all working at cross purposes. The Sundance Film Festival supposedly has 900 submissions for the current year! Even assuming that half are documentaries, does anyone think that more than 25 of these films will ever be seen in a theater?
Almost all of the “dumb money” has fled the entertainment business. Like the rest of the economy, it will have to slim down and make do with less. For the old bulls it will be quite a comedown.



4 responses so far ↓
Patrick // November 25, 2008 at 10:53 am |
Other than for reasons of schadenfreude, should we care about these dinosaurs and their floundering in the tar pits of finance? I don’t think I do.
Rachel // November 25, 2008 at 10:59 am |
The thing that most puzzles me about Sumner Redstone was why, at his age, he was still leveraged so highly. A sane man would have reasoned that he couldn’t possibly do anything with all the money he’d made, and hunkered down in completely save positions without much debt. Instead, he just kept doing what he’d always done. Was it force of habit? Does he not have anything in his life except business?
I suspect this slump will be even worse for the media sector than some others, since it comes on top of major upheavals already seen in advertising markets over the past three years. I’m sure there will be a lot of creativity in the wake of the destruction, but it’s going to be ugly ugly ugly for some time to come. The movie business is going to be particularly hard hit, supported as it has been for so long by foreign tax breaks. There are few investors looking for quick deductions right now, since everyone’s bleeding losses already.
On the other hand, people will need some form of entertainment to take their minds of this train wreck…
len // November 25, 2008 at 11:30 am |
@rachel: My experience with the powerful wealthy with big egos is they can’t get enough entertainment once all the mundanes are satiated, so making more money than their circle becomes the entertainment. It’s not just lonely at the top; it’s boring as hell. Sumner doesn’t want to die and if he quits playing, he will.
I think the movie industry is somewhat like Rick’s kit: a good movie can be made with a whole lot less gear and people. A famous actress made the comment in the 80s that they didn’t make movies any longer; just cartoons.
Using YouTube, movies can be distributed for a lot less money, be shorter or longer, and still make a buck. Somehow watching that industry be carved up the same way the music industry has gives me a bit of schadenfreude.
We’re turning our culture into a world of shallow interfaces that only achieve a semblance of depth when enough parts are talking to other parts in a loosely coupled way.
Rick Turner // November 25, 2008 at 1:50 pm |
You’ll notice that nobody except the RIAA and musicians gave a shit about pirate uploads and downloads when file sharing started, even though we in the music biz knew it was only a matter of time and bandwidth ’til Hollywood would be getting knocked around big time. Napster didn’t get shut down until the bigwigs realized that if they didn’t do something, then all information would be “liberated” from finance in the near future. Now here we are…
But talk about bloated industries! Some of the best films out there today are ones that didn’t cost mega millions to make.